|
Traditionally
in Chinese painting, we use Chinese watercolour that are prepared
from natural pigments and heavy metals but because of the inconvenience
of their preparation, today's artists generally prefer to use broadly
available artists' watercolour, such as Grumbacher, Holbein, Winsor
Newton, Daniel Smith, among others. Premium brands include MaimeriBlu
and Schmincke - these paints have a higher concentration of pigment
and make very rich colours.
For beginners, it is advisable to start by using a limited palette.
Concentrating on use of a few colours will encourage you to become
more familiar with their characteristics upon mixing.
A beginner's palette might include: indigo, cadmium yellow pale,
alizarin crimson, emerald green, burnt sienna and Chinese white.
Another important component of Chinese brush painting is Chinese
ink. We will talk about this topic in the future.
|
|
|
|
Brushes
used for Chinese painting vary widely in their appearance, texture,
size and properties. Bristles can be made from the hair of weasel,
goat, wolf, rabbit, chicken, horse, cow, etc. Once again, the source
of the bristle contributes to the behaviour of the paintbrush. Varying
absorbencies and properties of the various bristles define the flow
of paint onto the paper.
For the beginner, it is recommended to have, at least, one or two
good quality goat hair brushes as well as a "vine brush."
In addition, you should have at least one "orchid and bamboo
brush."
|
|